An Introduction to
TICKETS FOR A PRAYER WHEEL
A Call of Cthulhu adventure set in Viet Nam
Tickets for a Prayer Wheel is a chronicle designed for the Call of Cthulhu game by Chaosium and set in Viet Nam during the war. It was run as the Origins Call of Cthulhu event in Baltimore in 1991, and its preservation owes much to many people. Tickets was written by James Comer with supporting material by Lee Watts. Andy Garrabrant deserves credit for keeping the files all these years. And thanks go to Monte, Tom, Pat, Joel and Wayne. Thanks also to Conrad Hubbard for editing Tickets into an online format. Foray will be publishing the entire adventure split between separate issues, in a way helping keep the original feel. Jim has also requested the opportunity to add additional commentary in the future, and we will of course be happy to print that as well.
As the Tickets production consists of many parts, this Introduction will contain a list of all of the Chapters. As each Chapter is put online, the Introduction will be linked to those chapters, regardless of which issue of Foray they enter. Hopefully, this will make the whole chronicle more readily accessible and useable to all concerned.
| Openings | What is this all about? |
| First Ticket | First Encounters |
| Second Ticket | Patrolling the Earth |
| Third Ticket | The Cao-Dai Pagoda |
| Fourth Ticket | Research |
| Fifth Ticket | Idylls in West Vietnam |
| Sixth Ticket | Sauce from the Sage |
| Seventh Ticket | Archaeology by the Sea |
| Eighth Ticket | To the Mountain in Laos |
| Ninth Ticket | The Prehistoric Monastery |
| Endgames | Tying Up Loose Ends |
Foray also has an interview with James Comer, creator of the Mokole and the Bata'a for the World of Darkness in our August 98 issue. His new full length Mokole changing breed book came out late October '99. You can order it through White Wolf's online catalog.
All material is © Conrad Hubbard.
Tickets for a Prayer Wheel is written by and © James Comer.
References to products created by Chaosium or other
companies are not challenges to their copyrights
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